Workshop con


(Peeping Tom)

4 -8 Gennaio 2021

Torna anche quest'anno Jos Baker con un workshop intensivo di 20 ore.  
Jos sarà uno dei docenti ospiti della formazione, ma apriremo il seminario anche ad allievi
esterni: i posti limitati e ci sarà una selezioni tramite cv. 
Jos Baker è un danzatore, attore, coreografo e insegnante.
Dal 2008 al 2014, Jos ha lavorato come danzatore, attore e collaboratore com attore e collaboratore per Peeping Tom, una delle compagnie di danza più innovative dell'ultimo decennio, ha inoltre lavorato con gli storici DV8 Physical Theatre.
Insegna a livello internazionale, offrendo una gamma di lezioni e workshop presso Sead, PARTS Summer School, TrinityLaban, The Place, Amsterdam Theatre school, Northern School of Contemporary dance e molti altri.
Arcobalenodanza, Via Andrea Solari 6, Milano

dal 4 al 8 Gennaio 2021- 5 giorni, 20 ore di lavoro


h 12.00 registrazione | h 12.30-17.30 workshop con pausa compresa.
dal 5 al 8|01
h 10.30-15.30 Workshop con pausa compresa.



260€ con iscrizione entro il 15 Novembre 2020

280€ con iscrizione dopo il 15  Novembre 2020


Jos Baker Bio
Jos Baker is a dancer, actor, choreographer and teacher.
From 2008 to 2014, Jos worked for Peeping Tom as a dancer, actor and collaborator, principally with the productions 32 Rue Vandenbranden [2009], and A Louer [2011]. Since
then he worked for DV8 Physical Theatre on the production of John [2014] then begandirecting and performing in the promotional events for Petit Bateau’s Cedric Charlier
For the last few years he has been focusing on making his own work. The most recent projects being Put Out the Flame and The Smallest Little Thing commissioned by The
Hong Kong Arts Festival. Other of his choreographic works includes: Creature Man Don’Tell Me [2008], Afla [2008],
Feedback [2009], What do you do? [2015], We were youth [2016], Tidal Breath [2016],Let us not ask where it leads [2016], Understanding Sugar [2017], Of no fixed abode [2017], Timeline [2018], Zungen [2018] and The End [2018].
On film Jos made several music videos and short films, including: Forgot to live [2013] by
Ay Wing, and Let it Roll [2016] by Mustard Gas and
Roses directed by Koen Mortier, J’te Ramene [2014] directed by Yves Housmann and Biegga savkala duoddariid duohken lea soames [2006] by Elle Sofe Henrikseni, as well as several commercials.
He also teaches internationally, offering a range of classes and workshops for professional dancers at intstitutions including SEAD, Ballet Junior de Geneve, PARTS Summer School,
TrinityLaban, The Place, Amsterdam Theatre school, Northern School of Contemporary Dance, Codarts, Deltebre Dansa, El Danseu Festival, Ravnedans, Henny Jurriens Summer Intensive, Jetsummer, Staatstheatre Kassel and many others.
Jos started his dance training at the age of 7 with Oxford Youth Dance and then continued his formal education first at The Laban Center London and then at PARTS [Performing Arts
Research and Training Studios] in Brussels.

Physicology works with a combination of analysis and experimentation to develop a deeper understanding of the physical, psychological and evolutionary principals that effect human movement. The work looks at ways of deepening physical and intellectual understanding of how movement can work while also developing tools to handle some of the psychological factors that can hold us back in learning and in performing. These principals are then expanded through both fixed material and improvisation, building to richly detailed, technical and highly physically dance phrases. As the classes develop the emphasis turns to performativity and musicality while keeping a fun and high energy spirit of exploration.

Creative tools is an exploration of ways of making material for stage performance. Exploring physical extremes and characterisation; this workshop will look at ways of creating scene ideas using theatrical and physical tools, and then on how to develop and refine those ideas. How does a dancer approach character, how does a character dance? We explore methods of generating material that play with the personality, image, and the strengths and weakness of the individual in the attempt to find unique and specialised material. Much of this work is inspired by Jos’ experience working with Peeping Tom.